for Deutschlandfunk
in Wochenzeitung
‘Between Telling and Listening, The Last Witnesses’
at Kunsthalle Tübingen, Germany - 28.10.23 – 03.03.24
Radio review, by Christian Gampert,
https://kunsthalle-tuebingen.de/ausstellungen/innenwelten/
is presented in the exhibition
'Inner Worlds. Sigmund Freud and the Art'
Newspaper article,
How can the artist inspire society
Esther Shalev-Gerz will develop that question at the symposium
organised by the Statens konstrad Swedish Public Art Agency
on the 14th and 15th of November
to address violence without repeating it
in the means chosen to represent it?
Public Memory – Monuments Difficult Heritages
“The Shadow”
https://www.librairiejeudepaume.org/
My text is now published in the new issue
of the French magazine
A reflexion about the creation of my permanent art work
La Suivante n°3, septembre 2023
that can be found in Google Maps.
Will we still want to dance tomorrow ? Tales for a future
https://crownproject.art
Exhibition of the collective Crown Letter
My works "Earth Two" and "AuCiel" are exhibited
in the French Institut of Prague, 13 sept-4 oct 2023
In Visible
It presents the project "In Visible" achieved in 2015
My 30th publication, edited by Sorbonne Art Gallery
and exhibited in La Sorbonne in oct 2022
Esther Shalev-Gerz
will take part in a conversation about the newly published book
Together with Susanna Pettersson,
'Cultural heritage, a conceptual policy'
On Thursday 9 February, 18:00-19:00
at the Nationalmuseum, Stockholm
Södra ljusgården, Entrance floor
superintendent at the Nationalmuseum, Stockholm, Sweden
and Katherine Hauptman,
director of the new Swedish Holocaust Museum, Stockholm
Esther Shalev-Gerz
will present her work 'IN VISIBLE'
in a solo show at the Sorbonne Art Gallery, Paris,
with an exhibition catalogue.
curated by Yann Toma,
Opening on October 3rd at 7PM on the occasion of Photodays.
Conference on November 9th 2022, from 6PM to 8PM,
Amphithéâtre Descartes.
for Deutschlandfunk
in Wochenzeitung
